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CHRISTOPHER KIMLING

Director of Photography, Camera Operator & Video Producer in Atlanta, GA

I Had to Go to Art School to Go to Film School—Here’s What That Was Like

  • Writer: Chris Kimling
    Chris Kimling
  • Apr 12
  • 2 min read

Updated: Jul 14

When I tell people I went to film school, I don’t think they always realize that I also kind of went to art school. I graduated from the Savannah College of Art and Design with a degree in Film and Digital Media, but to get that film degree, I had to take a whole bunch of art classes too.

Some of them ended up being really valuable. I took design courses where we learned about the fundamentals of layout, form, and balance. I also took color theory classes that went surprisingly deep into color schemes, emotional tone, how different hues interact, all that stuff. At the time, I wasn’t necessarily chasing a career in design, but I think those classes helped shape the way I look at visual storytelling. Understanding why certain colors and compositions feel right is something that definitely stuck with me and shows up in how I frame shots today.

But then there were the drawing classes. So many drawing classes.

I’m not a good illustrator. I never have been. Yet somehow, I still had to take Drawing I, Drawing II, and Life Drawing. Life Drawing, by the way, is where you sit in a classroom and draw naked people. I’ll never forget one class where a fully nude man stood in front of us playing a flute. That image is burned into my brain forever.

To this day, I don’t understand why drawing was such a big requirement for film students. Unlike design, which connects pretty directly to cinematography and visual planning, drawing just felt like a weird detour for me. It wasn’t a productive use of my time, and honestly, I barely scraped by. You should see some of the stuff I drew. I still have a few of them, and they’re hilarious.

But who knows? Maybe those classes did something in the background. Maybe struggling through figure drawing helped me think about perspective and framing in a way I wouldn’t have otherwise. I’m super tuned in to what makes a shot look good now, and for all I know, I have those awkward, pencil-in-hand art school moments to thank for that.


The Keystone Building at Savannah College of Art and Design in Savannah, Georgia, representing the film and art education experience at SCAD.
Savanah College of Art and Design in Savannah, GA

 
 
 

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